Race horses and Jockeys, even more than dancers, occupied Degas throughout his long career as an artist. Paul-Andre Lemoisne catalogued some ninety-one works in this category, spanning the period from 1860 to 1900--a number that did not include Degas's equestrian waxes and bronzes--and they embrace a range of sizes and mediums. As with the Paris Opera, the spectacle of the turf gave Degas the base material from which to forge images of modern life in an alloy that fused references to the art of the past with details observed from life and scrupulously documented. But more than any other of his subjects, this was a genre that fed upon itself and spawned countless variations and adjustments. From a repertory established very early, Degas proceeded to select individual jockeys and rearrange them, to repeat poses and refine them, until this hermetic world lost all connection with the reality of the race track... This diminutive composition of Race Horses, which falls toward the end of the first phase in this development, is immediately distinguished by its unusual support. It is pastel, and not oil, on panel: the wood here, possibly light mahogany, is the kind that might be used for cigar boxes. Although pastel on panel is not a unique combination, it is extremely rare in Degas's oeuvre, and testifies to his continuing pleasure in experimenting with techniques and supports.

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Young Spartans Exercising, also known as Young Spartans, is an oil on canvas painting by French impressionist artist Edgar Degas. The work depicts two groups of male and female Spartan youths exercising, though the subject matter of the painting has, in recent times, been challenged.